Dönüş - Ayşe Kulin Everest Yayınları ücretsiz

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Dönüş - Ayşe Kulin Everest Yayınları ücretsiz

Dönüş - Ayşe Kulin Everest Yayınları ücretsiz tam sürüm

Aldatmanın, aldatılmanın, afetmenin, acıtan gerçeklerin romanı. Gerçekler acıdır, acıtır, incitir… Tam da hayatının yoluna girdiğini sandığı günlerde, önce anesinden gelen bir haber, ardından eski bir şapka kutusunda bulduğu mektuplar… Derya’nın, iki yıldır sümenaltı edilen gerçekleri bir tokat gibi öğrenmesi, onu dünyanın bir megakentinden ötekine savuracak, kaderi onu sarı bir sonbahar günü, açılıp açılmayacağını bile bilemediği bir demir kapının önüne kadar taşıyacaktır. Genç kız, acaba gizem dolu bu perdenin ardına geçebilecek midir? Öğreneceklerini kabul edebilecek, kabul etse bile sindirebilecek midir? O kapı açılırsa elbete… Dönüş, aldatmanın, aldatılmanın, afetmenin, acıtan gerçeklerin romanı.

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  • Dil: Türkçe
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  • boyutlar: Normal Boy
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Dönüş - Ayşe Kulin

samehelsay449d

2232 Gradenšak, Slovenia

At First Sight: Josie and her single mother Kate have been a dynamic duo for all of Josie's 16 years of life. But Josie's junior year of high school is shaping up to being something else entirely. First, they run into Paul Tucci's parents at a store - which sends the otherwise capable Kate into panic, crouching behind cans of cat food trying to stay out of sight. Who is Paul Tucci? Well, he's Kate's once boyfriend and the father Josie never knew. The Tuccis are back in town and deep down, Josie thinks is only a matter of time before Paul shows up too. And things only get more complicated when Kate starts dating a music teacher that seems to monopolize her time, and Josie tries to decide if she should or should not start something with Matt Riggs. Much as she likes him, Josie has never been able to trust men - other than Pops and Dodd, her best friend's Liz parents, who help fill up the parental figures. Worse, as Josie and Matt's relationship progresses as does Kate and Johnathan's, mother and daughter keep fighting over just about everything, something that feels completely alien to both of them... Second Glance: The easiest way to describe For Keeps is as a mixture of Gilmore Girls and Marchetta's Looking for Alibrandi, yet, somehow, this story is not as good as either of those. It is a nice enough read, and for the most part is fun. I particularly liked best friend Liz and her parents and brother, who seem like such a happy family. But I did find both Kate and Josie tiresome at times, and the later part of the book - the big explanation for Paul Tucci's absence from Josie's life - a bit contrite. On the other hand, I did like reading about Josie and Kate together, their mother-daughter relationship ringing true most of the time. My biggest problem with the book is that I sort of felt like it ended in nothing, which always annoys me a little. Bottom Line: A quick, at times funny, read, a bit average but good enough to pass the time. Favorite Quote: "...we all have our peccadilloes, our irrational fears: the fear of falling too hard, or of not never falling at all; the fear of screwing up, or of getting screwed; the fear of being held too tight, or of not knowing when to let go."

2022-11-14 17:14

cikitatiara

Berghülen, Germany

I admit that I had a certain amount of skepticism about Joe Hill as a writer. Being the son of Stephen King, I couldn’t help but think that just maybe he hadn’t quite earned his entrance into the world of publishing the way that other writers had. I felt a little vindicated with this feeling when I read his novel Heart Shaped Box, because I liked the book well enough, but I didn’t feel it was really ground-breaking or noteworthy in particular. So, it was with a bit of a raised eyebrow that I noticed his short story collection 20th Century Ghosts had won the Stoker Award for Best Collection in 2005. Based on that award, I decided to give Hill another shot. And I’m glad I did. 20th Century Ghosts is stellar collection of short stories. As you might expect, there’s a good portion of horror, other “supernatural” type stories, and even a couple that are surprisingly sweet natured. There are two trends in the stories throughout this collection that set it apart from other “good” horror collections. The first is the sheer imaginativeness behind so many of the ideas. For example, Pop Art was based on perhaps the most absurd-sounding premise I’ve heard in a long time, but in the end was probably one the best and most emotional stories in the book. My Father’s Mask was disturbing in that it portrayed a don’t-look-too-closely world that seemed like ours, but had some damn unsettling things going on behind the scenes. The second thing that Hill excelled at in these stories is breaking the expected “horror story” formats and cadences. Hill even pokes fun at this in the first story, Best New Horror, which is about a horror magazine editor who has seen it all and read it all a thousand times. Like that jaded and cynical editor, I found something new, interesting, and occasionally truly horrific in Hill’s stories. They are constantly taking unexpected turns leaving the reader (or in my case, the listener) off balance. They also tend to end at unexpected times, almost in mid-story sometimes (or at least that’s the way it felt), leaving the reader to stop, put away their expectations, and consider that ending — and the entire story in a new light. Just a superb collection. I will definitely re-visit these stories again and again. Five stars.

2022-11-14 16:21

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